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Examples

  • In fact the seeds came from a private collection, not from the installation at Tate Modern, which is made up of around 100 million, rather than 1 million, seeds Sotheby's bidding battle over Weiwei's seeds, 17 February, page 16.

    Corrections and clarifications 2011

  • Stark choices ... galleries such as Tate Modern face their biggest challenge yet.

    Culture | guardian.co.uk 2010

  • In taking on the role at Tate Modern, Mr. Dercon is moving from a position of relative freedom, as head of a horizontally structured art institution, to a large museum with a myriad of departments and hierarchies.

    Tate Modern Finds Its Match Kati Krause 2011

  • In the Tate Modern, though, all you see are the seeds.

    John Feffer: Art v. State in China John Feffer 2011

  • In his opinion, there hasn't been any innovation in museum architecture since the building of the Louvre museum on the site of the old palace in 1793 and the Altes Museum in Berlin in the 1820s, with the repurposing of buildings like Tate Modern's Bankside Power Station being "one little development" and grand architectural projects like the Guggenheim museums no more than "a footnote."

    Tate Modern Finds Its Match Kati Krause 2011

  • It remains to be seen whether Mr. Dercon will play around with the Tate Modern's architecture, as he did in both Munich and Rotterdam.

    Tate Modern Finds Its Match Kati Krause 2011

  • In the Tate Modern, though, all you see are the seeds.

    John Feffer: Art v. State in China John Feffer 2011

  • In the vast exhibition hall of London's Tate Modern, the installation looks from a distance like a huge patch of gravel.

    John Feffer: Art v. State in China John Feffer 2011

  • In the vast exhibition hall of London's Tate Modern, the installation looks from a distance like a huge patch of gravel.

    John Feffer: Art v. State in China John Feffer 2011

  • Tate Modern director Chris Dercon followed up in his keynote speech: "such museums seem to have become prior to art."

    ARTINFO: Is Middle Eastern Art 500 Years Behind The West? ARTINFO 2012

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